Post by Melanie Rashbrooke on Jan 14, 2009 11:22:40 GMT
1. I’ve just moved to London- I want to be in theatre, I feel overwhelmed- where do I start?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=2
2. Why are there no schemes for mid-range practitioners?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=3
3. Ideas for keeping warm
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=4
4. Uncertainty in professional environment
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=5
5. Labels- a useful tool for portfolio practitioners?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=6
6. Why does new opera only include classical voices?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=7
7. If theatre is to develop, should we look inwards for a bit rather than using our audience as a measure of success?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=8
8. Financial uncertainty
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=9
9. Living here / theatre in another country
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=10
10. What tools can we use to enhance the process of collaboration
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=11
11. Is ‘Theatre Design’ too limited a term?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=12
12. Touring- do we still need/want to do it?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=13
13. What makes European theatre “European” & not just theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=14
14. What can an education department bring to a theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=15
15. Are networks still relevant and needed?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=16
16. Is interactive theatre a fad?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=17
17. How can we collaborate with Europe to produce theatre for young people?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=18
18. What is social enterprise, and how is it relevant to the arts?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=19
19. How can the wisdom, power and mystery of mature women theatre makers be more VISIBLE
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=20
20. If theatre was outlawed, would you surrender?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=21
21. Should we expect public funding and could we be more self-sufficient and can we ever have a truly free theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=22
22. “What are we trying to say?”
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=23
23. Why should the English National Opera get 18.5 million from the Arts Council when I can’t get five grand?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=24
24. Youth Theatre: why is it different? Is it?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=25
25. How do you cross art form designers meet collaborators (without using Facebook/Myspace shite)
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=26
26. Is there a supportive environment in the theatre for someone entering the industry late in their life? Ie- people can be intimidating.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=27
27. Does theatre need to be responsible to anyone or anything?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=28
28. How can theatre dodge the credit crunch bullets?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=29
29. I want to make theatre. I don’t want to have a nervous breakdown. Can you help?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=30
30. Monkey tennis
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=31
31. Performance poetry
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=32
32. Why do old dogs need new tricks to be noticed?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=33
33. Why do I only want to think about Gaza and how does that fit in today?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=34
34. How do we create a world where more people want to go to the theatre.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=35
35. What does devotion feel like? Does it help us when we’re disgruntled?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=36
36. Who wants to take an adorable queer performer out for a drink?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=37
37. Open play- a planning session
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=38
38. To risk or not to risk
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=39
39. How do we integrate community theatre into more mainstream theatre? Should we?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=40
40. How do I make important/ validate being an artist/ theatre practitioner while being a mother/breadwinner + life organiser
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=41
41. Does London need another fringe theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=42
42. “” A session in suspense, could D+D perhaps gather around a question not asked?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=43
43. Why is Burlesque so boringly unpolitical?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=44
44. Characters who don’t believe! What can, does, and should theatre have to say about religion?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=45
45. Am I too old to change my mind?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=46
46. Customers or audience? How do we reclaim creative language?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=47
47. Collaborators and control freaks- can we work together?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=48
48. What is music theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=49
49. How do we use BSL for its aesthetic rather than just for its’ access?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=50
50. Edinburgh Fringe Festival, a risk assessment
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=51
51. Feeling like a fraud: can you get on in theatre if you’re no good a schmoozing?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=52
52. Factory Farming: making use of London’s vacant spaces during the recession
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=53
53. Original music in theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=54
54. How to make theatre in unlicensed venues?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=55
55. Who should we invite to D+D5?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=56
56. What is an actor?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=57
57. Lets make a brilliant piece of imaginary theatre now.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=58
58. Can a tug-of-war be theatre? Or when does art become not-art?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=59
59. I suspect we can definitely learn something from the music industry. I’m not sure what those things are…
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=60
60. How can we create more politically engaged British Theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=61
61. What is the most exciting theatre happening now? (what should I see?)
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=62
62. New models for doing it
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=63
63. Who wants to play in 2009?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=64
64. Theatre & ecology/feral theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=65
65. Devising- is there a glass ceiling?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=66
66. Elder-younger- can we talk to each other?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=67
67. Delight
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=68
68. How can performer/writer/directors become better producers and administrators?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=69
69. Journals
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=70
70. My boyfriend wants to put on an opera in an alternative way- he needs help- any suggestions?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=71
71. Pot noodle- the musical
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=72
72. How can we market theatre in new ways?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=73
73. Ideas for a scratch night for an interactive theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=74
74. Why isn’t the NT touring to old people’s homes?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=75
75. What platforms are there for work that includes actors and physical circus performers outside the corporate zone?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=76
76. How dull is the London fringe?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=77
77. How can theatre be used in conflict resolution?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=78
78. Isn’t funding boring? Where are the creative entrepreneurs in theatre? Can we make a sustainable business?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=79
79. A mentoring scheme for deaf and disabled producers
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=80
80. Déjà vu whilst watching plays
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=81
81. Dear Andy Burnham
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=82
82. What forums are there for people who produce music for theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=83
83. Time planning
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=84
84. Anyone interested in cowboys?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=85
85. In the age of cross-multi-slash-intertextual media, is theatre short-changing itself?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=86
86. ‘60s spirit in contemporary theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=87
87. What can theatre companies do to help artists? (National Theatre Wales)
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=88
88. Integrated casting
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=89
89. It was never illegal for women to act. Does this knowledge make a difference?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=90
90. How can we use the Power of Now more consciously in our performance practice?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=91
91. Why is verbatim theatre so often lacking theatricality?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=92
92. How can we make better theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=93
93. How important is “who you know”/nepotism in creating successful theatre, and do we care?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=94
94. What makes a region attractive to theatre makers either to be based in or to be toured to?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=95
95. Where can we (women and men) get some of the arrogance/chutzpah/youthful pushiness of young men?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=96
96. Do agents take away your agency?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=97
97. Fun
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=98
98. The longer story. D & D What’s our bigger vision?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=99
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=2
2. Why are there no schemes for mid-range practitioners?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=3
3. Ideas for keeping warm
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=4
4. Uncertainty in professional environment
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=5
5. Labels- a useful tool for portfolio practitioners?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=6
6. Why does new opera only include classical voices?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=7
7. If theatre is to develop, should we look inwards for a bit rather than using our audience as a measure of success?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=8
8. Financial uncertainty
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=9
9. Living here / theatre in another country
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=10
10. What tools can we use to enhance the process of collaboration
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=11
11. Is ‘Theatre Design’ too limited a term?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=12
12. Touring- do we still need/want to do it?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=13
13. What makes European theatre “European” & not just theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=14
14. What can an education department bring to a theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=15
15. Are networks still relevant and needed?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=16
16. Is interactive theatre a fad?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=17
17. How can we collaborate with Europe to produce theatre for young people?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=18
18. What is social enterprise, and how is it relevant to the arts?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=19
19. How can the wisdom, power and mystery of mature women theatre makers be more VISIBLE
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=20
20. If theatre was outlawed, would you surrender?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=21
21. Should we expect public funding and could we be more self-sufficient and can we ever have a truly free theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=22
22. “What are we trying to say?”
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=23
23. Why should the English National Opera get 18.5 million from the Arts Council when I can’t get five grand?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=24
24. Youth Theatre: why is it different? Is it?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=25
25. How do you cross art form designers meet collaborators (without using Facebook/Myspace shite)
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=26
26. Is there a supportive environment in the theatre for someone entering the industry late in their life? Ie- people can be intimidating.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=27
27. Does theatre need to be responsible to anyone or anything?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=28
28. How can theatre dodge the credit crunch bullets?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=29
29. I want to make theatre. I don’t want to have a nervous breakdown. Can you help?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=30
30. Monkey tennis
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=31
31. Performance poetry
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=32
32. Why do old dogs need new tricks to be noticed?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=33
33. Why do I only want to think about Gaza and how does that fit in today?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=34
34. How do we create a world where more people want to go to the theatre.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=35
35. What does devotion feel like? Does it help us when we’re disgruntled?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=36
36. Who wants to take an adorable queer performer out for a drink?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=37
37. Open play- a planning session
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=38
38. To risk or not to risk
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=39
39. How do we integrate community theatre into more mainstream theatre? Should we?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=40
40. How do I make important/ validate being an artist/ theatre practitioner while being a mother/breadwinner + life organiser
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=41
41. Does London need another fringe theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=42
42. “” A session in suspense, could D+D perhaps gather around a question not asked?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=43
43. Why is Burlesque so boringly unpolitical?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=44
44. Characters who don’t believe! What can, does, and should theatre have to say about religion?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=45
45. Am I too old to change my mind?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=46
46. Customers or audience? How do we reclaim creative language?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=47
47. Collaborators and control freaks- can we work together?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=48
48. What is music theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=49
49. How do we use BSL for its aesthetic rather than just for its’ access?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=50
50. Edinburgh Fringe Festival, a risk assessment
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=51
51. Feeling like a fraud: can you get on in theatre if you’re no good a schmoozing?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=52
52. Factory Farming: making use of London’s vacant spaces during the recession
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=53
53. Original music in theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=54
54. How to make theatre in unlicensed venues?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=55
55. Who should we invite to D+D5?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=56
56. What is an actor?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=57
57. Lets make a brilliant piece of imaginary theatre now.
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=58
58. Can a tug-of-war be theatre? Or when does art become not-art?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=59
59. I suspect we can definitely learn something from the music industry. I’m not sure what those things are…
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=60
60. How can we create more politically engaged British Theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=61
61. What is the most exciting theatre happening now? (what should I see?)
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=62
62. New models for doing it
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=63
63. Who wants to play in 2009?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=64
64. Theatre & ecology/feral theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=65
65. Devising- is there a glass ceiling?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=66
66. Elder-younger- can we talk to each other?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=67
67. Delight
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=68
68. How can performer/writer/directors become better producers and administrators?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=69
69. Journals
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=70
70. My boyfriend wants to put on an opera in an alternative way- he needs help- any suggestions?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=71
71. Pot noodle- the musical
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=72
72. How can we market theatre in new ways?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=73
73. Ideas for a scratch night for an interactive theatre
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=74
74. Why isn’t the NT touring to old people’s homes?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=75
75. What platforms are there for work that includes actors and physical circus performers outside the corporate zone?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=76
76. How dull is the London fringe?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=77
77. How can theatre be used in conflict resolution?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=78
78. Isn’t funding boring? Where are the creative entrepreneurs in theatre? Can we make a sustainable business?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=79
79. A mentoring scheme for deaf and disabled producers
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=80
80. Déjà vu whilst watching plays
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=81
81. Dear Andy Burnham
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=82
82. What forums are there for people who produce music for theatre?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=83
83. Time planning
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=84
84. Anyone interested in cowboys?
devoteddisgruntled.proboards.com/index.cgi?board=talk&action=display&thread=85
85. In the age of cross-multi-slash-intertextual media, is theatre short-changing itself?
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86. ‘60s spirit in contemporary theatre
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87. What can theatre companies do to help artists? (National Theatre Wales)
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88. Integrated casting
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89. It was never illegal for women to act. Does this knowledge make a difference?
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90. How can we use the Power of Now more consciously in our performance practice?
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91. Why is verbatim theatre so often lacking theatricality?
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92. How can we make better theatre?
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93. How important is “who you know”/nepotism in creating successful theatre, and do we care?
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94. What makes a region attractive to theatre makers either to be based in or to be toured to?
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95. Where can we (women and men) get some of the arrogance/chutzpah/youthful pushiness of young men?
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96. Do agents take away your agency?
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97. Fun
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98. The longer story. D & D What’s our bigger vision?
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